Smoke Signals is arguably the most complete embodiment of what the native American identity has grown to be. Both Victor Joseph (Adam Beach) and Thomas Builds-the-Fire (Evan Adams) serve as what I would deem "common" native personalities at the outset of the twentieth century; Victor is a stern and hardened free spirit distrusting of others (particularly whites) whereas Thomas represents a man deep in his roots and an open heart for all.*Much like of ancient oral tradition, the film opens like a campfire in its narration and recounts a fateful event on the 4th of July involving Victor's father Arnold (Gary Farmer) and they celebrate with fireworks and alcohol; it becomes obvious what you see and what you hear are not one and the same and from there the story unfolds and inevitably reveals the truth. The writer-director Chris Eyre adds a light touch of comedy and insight to the seriousness of its resolution making for that "sun-dried" cinematic style that's becoming a staple flair of native films. Definitely impressive from a filmmaker not only making his debut but also being the first native to produce, write, and direct a feature.
Another brief yet significant performance was done by Irene Bedard who plays Suzy Song in the picture. A radiant spirit of natural beauty, she somehow makes the truth palatable: instead of perceiving the father as an abusive brute, she makes it possible to see him as a well-meaning but troubled figure. And this can go a long way in how one sees the telling night depicted. Eyre did well to cast her in this role as she serves as a great contrast when facing Victor.
If there is one film I'd recommend first and foremost exploring native cinema, this is the post to start from. From here, others will fall into place.
*Note: It is not my intention to generalize native personalities as I'm sure there are plenty who are neither of these.
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